Phoebe Lemon's Portfolio

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	<title>Phoebe Lemon's Portfolio</title>
	<link>https://phoebelemonn.cargo.site</link>
	<description>Phoebe Lemon's Portfolio</description>
	<pubDate>Tue, 13 Jan 2026 17:41:06 +0000</pubDate>
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		<title>TheSpaceBetween copy</title>
				
		<link>https://phoebelemonn.cargo.site/TheSpaceBetween-copy</link>

		<pubDate>Thu, 28 Mar 2024 14:12:54 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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THE SPACE BETWEEN
	Play the game
	

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	Medium: Interactive narrrative gameTools: p5.jsLocation: Abu Dhabi, United Arab Emirates, Fall 2022


This simulative, storytelling game expands on my navigation of multiple cultures as a Chinese adoptee growing up in a Korean-American household. Each chapter presents the user with a simple task, paying homage to iconic game styles of the 90s, while at the same time being a metaphor for one of the many challenges of juggling cultures. 

Storyboard, code documentation


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		<title>space game gameplay copy</title>
				
		<link>https://phoebelemonn.cargo.site/space-game-gameplay-copy</link>

		<pubDate>Thu, 28 Mar 2024 14:12:54 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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	Gameplay
	

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		<title>Header copy</title>
				
		<link>https://phoebelemonn.cargo.site/Header-copy</link>

		<pubDate>Thu, 28 Mar 2024 14:12:56 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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		<description>
	

	Hi, I’m Phoebe.


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		<title>But how will I be remembered</title>
				
		<link>https://phoebelemonn.cargo.site/But-how-will-I-be-remembered-1</link>

		<pubDate>Tue, 13 Jan 2026 17:41:06 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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But how will I be remembered?
	Prototype&#38;nbsp;
	

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&#60;img width="1512" height="982" width_o="1512" height_o="982" data-src="https://freight.cargo.site/t/original/i/b084adc1ca0a5c1d9ac8ac48c3f4006d52154f5073360ffcb441d0e0b21f0d79/Community-Manifesto.PNG" data-mid="243204428" border="0"  src="https://freight.cargo.site/w/1000/i/b084adc1ca0a5c1d9ac8ac48c3f4006d52154f5073360ffcb441d0e0b21f0d79/Community-Manifesto.PNG" /&#62;

	Themes: co-design, community archive, storytelling, adoption narratives

London, United Kingdom, &#38;nbsp;Fall 2025

This project, in completion for my MA thesis is a prototype for a community-led digital archive created through my own search for agency and belonging as a Chinese adoptee. The work began by confronting the gap between instituionalised records and lived experience, mediated through state documentation, redaction, and loss. Out of this encounter grew a collective design process with adoptees who continue to question how they are remembered, represented, and recorded. The title echoes a question left in a TikTok comment by a Chinese adoptee in the wake of recent policy changes suspending international adoption from China. It is both a plea and a provocation, asking what remains of us when our history is missing, altered, or never written at all. The prototype reimagines the archive as a space for agency and participation, where adoptees reclaim the authority to write, share, and preserve their own stories beyond bureaucratic control.&#38;nbsp;


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		<title>Coding colonies</title>
				
		<link>https://phoebelemonn.cargo.site/Coding-colonies</link>

		<pubDate>Fri, 03 Jan 2025 17:59:43 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

		<guid isPermaLink="true">https://phoebelemonn.cargo.site/Coding-colonies</guid>

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&#38;lt;CODING COLONIES/&#38;gt;
	Hydra Code&#38;nbsp;
	

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	Themes: Live coding, performance, decolonization, data

London, United Kingdom, &#38;nbsp;Fall 2024

‘Coding ‘Colonies’ is a live coding performance that acts as an extension of previous research, where I examine the internet and media technologies as embodiments of digital colonialism. Through this framework, modes of extraction, exploitation, and appropriation between the West and the global South have worked closely with the development of technology; the age of colonialism has not been erased but merely transformed and codified&#38;nbsp;through embodied processes and procedures by emerging technologies. This performance then, aims to highlight the legacy of colonialism across time and (cyber)space, and to shed a light on how it fixates roles within the tech space across race, class, and gender, defining a ‘digitized’, ‘innovative,’ ‘modern’ West that both subjugates and relies on ‘pre-digital’, ‘technologically illiterate’, and ‘primitive’ global South.

Performance Video


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		<title>Civilized Bodies</title>
				
		<link>https://phoebelemonn.cargo.site/Civilized-Bodies</link>

		<pubDate>Thu, 28 Mar 2024 14:12:56 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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		<description>CIVILIZED BODIES&#38;nbsp;

	
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&#38;nbsp;


Themes: Audiovisual installation, sound art, machine learning, Chinese politics and history


Shanghai, China, Spring 2024


This audiovisual installation investigates Wenming (文明), which translates to ‘civilization,’ ‘civilized,’ or ‘culture,’ as the interplay between identity, ethnicity, and digital space. While Wenming is often found in street signs, propaganda, and policy in the context of constructing a civilization by economic and technological means, I highlight how social media platforms like Kuaishou, through their visual, auditory, and textual icoonography, reft a corporeal dimension of the term, acting as sites for constructing ethnic identity and cultural authenticity. My building of the public restroom, a pinnacle of Wenming in modern urban space, combines a phsyical elements y with re-imagined Kuaishou videos&#38;nbsp; generated through machine learning and a soundscape of layered&#38;nbsp; real Kuaishou audios. Emulating the corpeal vulnerability of using the toilet, the installation aims to show how Wenming moves though on and offline structures of power, oppression, and identity, fixang not “what” is civilized, but “who”.Full documentation


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		<title>Memory:</title>
				
		<link>https://phoebelemonn.cargo.site/Memory-1</link>

		<pubDate>Fri, 08 Nov 2024 01:38:15 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

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		<description>
	MEMORY: FORGETTING HERITAGE, REMEMBERING CHILDHOOD, &#38;amp; IMAGINING NOSTALGIA IN CHINESE ADOPTION

	
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&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/a8d2e045d78b42568c0cd1c03848f83af1e61ef51194434e124d7aaca4b30e1d/final-98.png" data-mid="221381026" border="0"  src="https://freight.cargo.site/w/1000/i/a8d2e045d78b42568c0cd1c03848f83af1e61ef51194434e124d7aaca4b30e1d/final-98.png" /&#62;
&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/ba484bd9b603d08164c81ec129c943ac30d49d8fbd6c6fadf5e8626a29dcf88b/final-97.png" data-mid="221381024" border="0"  src="https://freight.cargo.site/w/1000/i/ba484bd9b603d08164c81ec129c943ac30d49d8fbd6c6fadf5e8626a29dcf88b/final-97.png" /&#62;
&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/71ce0da994ad468bf4934df9bbb96dd096c091e6bfaf0bbbac7b2539f25df4e1/final-96.png" data-mid="221381025" border="0"  src="https://freight.cargo.site/w/1000/i/71ce0da994ad468bf4934df9bbb96dd096c091e6bfaf0bbbac7b2539f25df4e1/final-96.png" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e282e77027ef166a4c13b468bb30626366acbae743bb0116452b5dd15079bd10/DSC06958.JPG" data-mid="221381028" border="0"  src="https://freight.cargo.site/w/1000/i/e282e77027ef166a4c13b468bb30626366acbae743bb0116452b5dd15079bd10/DSC06958.JPG" /&#62;
Sometimes, memories come back to me in dreams. Other times, dreams come back to me in memory. 


Themes : memory, Chinese adoption, machine learning

Shanghai, China, Fall 2023


This project is an autobiographical photo essay reflective upon how Chinese adoptees construct memory, recount early childhood, and imagine becoming. 
I trained an image-generation model on a dataset of my own family photos captured on film during my family’s adoption trip in 2003. I then synthesized new photos that embody the fragmented, broken, and lost memories that arise from adoptees' often turbulent beginnings, rewriting what nostalgia means for me.Full documentation


&#60;img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/ed868d8f9357b05146e30356b8bcdac2c310c364a62a2066c8d56552cf7387e5/final-99.png" data-mid="221381027" border="0"  src="https://freight.cargo.site/w/1000/i/ed868d8f9357b05146e30356b8bcdac2c310c364a62a2066c8d56552cf7387e5/final-99.png" /&#62;
&#60;img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/498ba5f68a9ab465b3329f08eef708511f46b9c8c864b265427eefe72a67abbc/final-92.png" data-mid="221381021" border="0"  src="https://freight.cargo.site/w/1000/i/498ba5f68a9ab465b3329f08eef708511f46b9c8c864b265427eefe72a67abbc/final-92.png" /&#62;
&#60;img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/77053c539a24e41e7db819032ba589369ba2a87253192babb9284a26919dee95/final-93.png" data-mid="221381022" border="0"  src="https://freight.cargo.site/w/1000/i/77053c539a24e41e7db819032ba589369ba2a87253192babb9284a26919dee95/final-93.png" /&#62;


</description>
		
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	<item>
		<title>TheSpaceBetween</title>
				
		<link>https://phoebelemonn.cargo.site/TheSpaceBetween</link>

		<pubDate>Thu, 28 Mar 2024 14:12:58 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

		<guid isPermaLink="true">https://phoebelemonn.cargo.site/TheSpaceBetween</guid>

		<description>
	
	
THE SPACE BETWEEN
	Play online
	Watch gameplay 


&#60;img width="782" height="522" width_o="782" height_o="522" data-src="https://freight.cargo.site/t/original/i/b485663f2cebd08b7b1f285f378fbc234349e3b533d5449c974f15f0e530f558/TensorPix---Screen-Recording-2024-01-10-at-17.49.15.gif" data-mid="207810865" border="0"  src="https://freight.cargo.site/w/782/i/b485663f2cebd08b7b1f285f378fbc234349e3b533d5449c974f15f0e530f558/TensorPix---Screen-Recording-2024-01-10-at-17.49.15.gif" /&#62;
&#60;img width="910" height="606" width_o="910" height_o="606" data-src="https://freight.cargo.site/t/original/i/3d6a885d81ee1c1e121f2bedcf04bd0f4ae0a1484602cc047983a3d6181a7812/UpscaleVideo_3_20240112.gif" data-mid="207810859" border="0"  src="https://freight.cargo.site/w/910/i/3d6a885d81ee1c1e121f2bedcf04bd0f4ae0a1484602cc047983a3d6181a7812/UpscaleVideo_3_20240112.gif" /&#62;
&#60;img width="1016" height="678" width_o="1016" height_o="678" data-src="https://freight.cargo.site/t/original/i/3206708f74b67c7e728b58d58316864794c8e0f2c4e7a0bcc21c2f2d164d6feb/TensorPix---Screen-Recording-2024-01-10-at-16.21.11.gif" data-mid="207810861" border="0"  src="https://freight.cargo.site/w/1000/i/3206708f74b67c7e728b58d58316864794c8e0f2c4e7a0bcc21c2f2d164d6feb/TensorPix---Screen-Recording-2024-01-10-at-16.21.11.gif" /&#62;
&#60;img width="896" height="598" width_o="896" height_o="598" data-src="https://freight.cargo.site/t/original/i/e81bd6338434df379ad3c56058968e9651f369e85d4f31b523fb290f6e0b90d0/UpscaleVideo_6_20240112.gif" data-mid="207810862" border="0"  src="https://freight.cargo.site/w/896/i/e81bd6338434df379ad3c56058968e9651f369e85d4f31b523fb290f6e0b90d0/UpscaleVideo_6_20240112.gif" /&#62;
&#60;img width="916" height="610" width_o="916" height_o="610" data-src="https://freight.cargo.site/t/original/i/c300a57efdf34871b76cf5149c1b3a6698b6e8fd3e059b9843e110f640c780c1/UpscaleVideo_4_20240112.gif" data-mid="207810860" border="0"  src="https://freight.cargo.site/w/916/i/c300a57efdf34871b76cf5149c1b3a6698b6e8fd3e059b9843e110f640c780c1/UpscaleVideo_4_20240112.gif" /&#62;
&#60;img width="808" height="538" width_o="808" height_o="538" data-src="https://freight.cargo.site/t/original/i/135e2f5622b16c7ab571d5d0a3c9732c0809cae48a1dc18bdf6a304d298e8634/UpscaleVideo_1_20240112-1.gif" data-mid="207810857" border="0"  src="https://freight.cargo.site/w/808/i/135e2f5622b16c7ab571d5d0a3c9732c0809cae48a1dc18bdf6a304d298e8634/UpscaleVideo_1_20240112-1.gif" /&#62;

	Themes: Interactive narrrative game, biculturalism, identity&#38;nbsp;
Tools: p5.js
Abu Dhabi, United Arab Emirates, Fall 2022

Where do I belong if I am in-between two cultures? 
This simulative, storytelling game expands on my navigation of multiple cultures as a Chinese adoptee growing up in a Korean-American household. It also draws from fieldwork I conducted within the Shanghai adoptee community in the Fall of 2021. Each chapter presents the user with a simple task, paying homage to iconic game styles of the 90s, while at the same time being a metaphor for one of the many challenges of juggling cultures. 


Full documentation


</description>
		
	</item>
		
		
	<item>
		<title>LalaShanghai</title>
				
		<link>https://phoebelemonn.cargo.site/LalaShanghai</link>

		<pubDate>Thu, 28 Mar 2024 14:13:01 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

		<guid isPermaLink="true">https://phoebelemonn.cargo.site/LalaShanghai</guid>

		<description>
	
	
“LALA SHANGHAI”
	Read the e-version
	Essay component


&#60;img width="2989" height="2242" width_o="2989" height_o="2242" data-src="https://freight.cargo.site/t/original/i/4e374d4ea895a158b3a7050fb6515cbd8b1d9d07ccff727fa310bb7ec8ae1eaf/P1010179.jpg" data-mid="207810904" border="0"  src="https://freight.cargo.site/w/1000/i/4e374d4ea895a158b3a7050fb6515cbd8b1d9d07ccff727fa310bb7ec8ae1eaf/P1010179.jpg" /&#62;
&#60;img width="2289" height="1717" width_o="2289" height_o="1717" data-src="https://freight.cargo.site/t/original/i/16d7cee538b824e225124d9bede8f9685ddd68cde883c56b760aa1d0d24708da/874A8D78-4001-4E4D-9E44-4CE0CFD38438_1_201_a.jpeg" data-mid="207810907" border="0"  src="https://freight.cargo.site/w/1000/i/16d7cee538b824e225124d9bede8f9685ddd68cde883c56b760aa1d0d24708da/874A8D78-4001-4E4D-9E44-4CE0CFD38438_1_201_a.jpeg" /&#62;
&#60;img width="2608" height="1956" width_o="2608" height_o="1956" data-src="https://freight.cargo.site/t/original/i/d9ce1099338be6ead1107f844a059cc635e5e61b40823d3d73b5c9e11a25cedf/C284C695-477E-4806-AF8E-E9BA9AE5BEF0_1_201_a.jpeg" data-mid="207810906" border="0"  src="https://freight.cargo.site/w/1000/i/d9ce1099338be6ead1107f844a059cc635e5e61b40823d3d73b5c9e11a25cedf/C284C695-477E-4806-AF8E-E9BA9AE5BEF0_1_201_a.jpeg" /&#62;
&#60;img width="2508" height="1880" width_o="2508" height_o="1880" data-src="https://freight.cargo.site/t/original/i/258639cebd5c46614ca3dab1c8777964105d981e2ef935ef79ca643bc9b83703/80B1DC54-0AF3-4106-B759-8C41B3840BD1_1_201_a.jpeg" data-mid="207810911" border="0"  src="https://freight.cargo.site/w/1000/i/258639cebd5c46614ca3dab1c8777964105d981e2ef935ef79ca643bc9b83703/80B1DC54-0AF3-4106-B759-8C41B3840BD1_1_201_a.jpeg" /&#62;
&#60;img width="2574" height="1930" width_o="2574" height_o="1930" data-src="https://freight.cargo.site/t/original/i/2640d2b38cf18c4d6bfd02dae5a208b3d5e030cda679baecd3e029e533e6216b/1261C2B7-1614-4AE7-95BA-907741198BAA_1_201_a.jpeg" data-mid="207810909" border="0"  src="https://freight.cargo.site/w/1000/i/2640d2b38cf18c4d6bfd02dae5a208b3d5e030cda679baecd3e029e533e6216b/1261C2B7-1614-4AE7-95BA-907741198BAA_1_201_a.jpeg" /&#62;
&#60;img width="2705" height="2029" width_o="2705" height_o="2029" data-src="https://freight.cargo.site/t/original/i/211d2416da62beb65f6d86fadc7849c0a1ebf39b1a93e347a79330832f593ff8/6F51BA9F-C126-42B5-95FF-75FB34FFA5E0_1_201_a.jpeg" data-mid="207810910" border="0"  src="https://freight.cargo.site/w/1000/i/211d2416da62beb65f6d86fadc7849c0a1ebf39b1a93e347a79330832f593ff8/6F51BA9F-C126-42B5-95FF-75FB34FFA5E0_1_201_a.jpeg" /&#62;

	Themes: queer theory, fahion, identity&#38;nbsp;Shanghai, China, Fall 2023
This 28-page zine employs film photography and fashion to investigate the varying couplings of masculinities and femininities - T and P roles - employed by Lalas* across time and space, questioning the politics of queer ambiguity, androgyny, and gender non-conformity as it relates to our path towards subverting heteronormativity.Inspired by the use of quasi-documentary and street realism that so sharply defined the 90s queer film scenes of China and Hong Kong, I emphasize the importance of media that portrays queer lives as intersectional, multifaceted, authentic, and lived.

	
*vernacular term for Chinese lesbians


</description>
		
	</item>
		
		
	<item>
		<title>AlterEgos</title>
				
		<link>https://phoebelemonn.cargo.site/AlterEgos</link>

		<pubDate>Thu, 28 Mar 2024 14:12:59 +0000</pubDate>

		<dc:creator>Phoebe Lemon's Portfolio</dc:creator>

		<guid isPermaLink="true">https://phoebelemonn.cargo.site/AlterEgos</guid>

		<description>
	
	
ALTER EGOS: “LINGLING LOLITA”
	Performance video
	

&#60;img width="662" height="1000" width_o="662" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7ad4dc82b41c77b411255b283514ef4692a0c62de629753ff2d841fa3cadbeb1/IMG_8165.PNG" data-mid="207810871" border="0"  src="https://freight.cargo.site/w/662/i/7ad4dc82b41c77b411255b283514ef4692a0c62de629753ff2d841fa3cadbeb1/IMG_8165.PNG" /&#62;
&#60;img width="566" height="318" width_o="566" height_o="318" data-src="https://freight.cargo.site/t/original/i/28bc9d6442e87178ab01a4672c36a993f9334e4fd9e88877d552347623a89e91/Screen-Recording-2024-01-08-at-15.51.17-2.gif" data-mid="207810878" border="0"  src="https://freight.cargo.site/w/566/i/28bc9d6442e87178ab01a4672c36a993f9334e4fd9e88877d552347623a89e91/Screen-Recording-2024-01-08-at-15.51.17-2.gif" /&#62;
&#60;img width="5152" height="2904" width_o="5152" height_o="2904" data-src="https://freight.cargo.site/t/original/i/25935111a72aac73cbfa54ef6322d47d823427279914ed2e3a29140eca9726bf/L1022745.jpeg" data-mid="207810873" border="0"  src="https://freight.cargo.site/w/1000/i/25935111a72aac73cbfa54ef6322d47d823427279914ed2e3a29140eca9726bf/L1022745.jpeg" /&#62;
&#60;img width="688" height="386" width_o="688" height_o="386" data-src="https://freight.cargo.site/t/original/i/59d0e4840429941c4dd9ff6ddc9f0e4c5e1ea5db7b66a909fc48fa9a6eefa4ee/Screen-Recording-2024-01-08-at-15.50.18-2.gif" data-mid="207810880" border="0"  src="https://freight.cargo.site/w/688/i/59d0e4840429941c4dd9ff6ddc9f0e4c5e1ea5db7b66a909fc48fa9a6eefa4ee/Screen-Recording-2024-01-08-at-15.50.18-2.gif" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/190e8700545b19a986828d652cbad6db215e06cb5dc6609b82a4707387f9bc75/IMG_7406-2.jpeg" data-mid="207810869" border="0"  src="https://freight.cargo.site/w/1000/i/190e8700545b19a986828d652cbad6db215e06cb5dc6609b82a4707387f9bc75/IMG_7406-2.jpeg" /&#62;
&#60;img width="4928" height="3288" width_o="4928" height_o="3288" data-src="https://freight.cargo.site/t/original/i/381e6d58f8b03ce818735b5be19ca74b5952eed474bd8dd3e8c13e7cb2ae9bfc/L1022821.jpeg" data-mid="207810872" border="0"  src="https://freight.cargo.site/w/1000/i/381e6d58f8b03ce818735b5be19ca74b5952eed474bd8dd3e8c13e7cb2ae9bfc/L1022821.jpeg" /&#62;
&#60;img width="590" height="332" width_o="590" height_o="332" data-src="https://freight.cargo.site/t/original/i/6211b9ca1295a222f56925900b8809fa6edd2ca8900a9e97fa6760fbee1c7531/phoebe-performance-video-copy-1.gif" data-mid="207810876" border="0"  src="https://freight.cargo.site/w/590/i/6211b9ca1295a222f56925900b8809fa6edd2ca8900a9e97fa6760fbee1c7531/phoebe-performance-video-copy-1.gif" /&#62;
&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/096cc9a3ffc97fa40d8576ece515f5be144ec836ff2a87973e2ca85c906e6bd1/IMG_4908.jpeg" data-mid="207810870" border="0"  src="https://freight.cargo.site/w/1000/i/096cc9a3ffc97fa40d8576ece515f5be144ec836ff2a87973e2ca85c906e6bd1/IMG_4908.jpeg" /&#62;
&#60;img width="608" height="342" width_o="608" height_o="342" data-src="https://freight.cargo.site/t/original/i/673705f1014865ef3a7efe541333a81903d2df02261aef5647cf21a493b2c555/Screen-Recording-2024-01-08-at-15.49.40-2.gif" data-mid="207810879" border="0"  src="https://freight.cargo.site/w/608/i/673705f1014865ef3a7efe541333a81903d2df02261aef5647cf21a493b2c555/Screen-Recording-2024-01-08-at-15.49.40-2.gif" /&#62;

	Themes: alter ego, performance, orientalism, identity&#38;nbsp;
New York City, USA, Spring 2023

Lingling Lolita is an alter ego I developed during my study abroad in New York City, and aims to answer the internal conflict I have of being proud of my femininity/sexuality and my body as an Asian women.


Lingling lolita is the visual and emotional embodiment of all the harmful of stereotypes that have been expected of Asian women.&#38;nbsp; She plays into her infantilized, erotic, and hypersexual nature to give the audiences exactly what they want. In her interactive strip tease that includes dance, music, video, and poetry, she performs like the perfect ‘China doll’.Full documentation
</description>
		
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